1970s. ManChester.

ARCHITECTURE  BRUT

——-THE seventies was the decade of confusion, of a loss of direction, of new music and the arrival of a vast city centre monster. It’s ten years of a puzzle wrapped up in a riddle, of oil crises, three day weeks, power cuts, of macro-economic changes that revealed just how far British global influence had slipped from the heady days of Empire and industrial hegemony. It also revealed just how far other British cities had slipped behind their capital city.

During the 1970s, the City Council lost most of its remaining key responsibilities. After WWII cities such as Manchester lost power over local gas and electrical supply – thus much of their income. The NHS did for its responsibility over local hospitals, while during the 70s all control of local transport was finally taken and Manchester’s famous red buses became grotesque pop orange and brown under a broader transport authority.

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Manchester’s famous red buses became grotesque pop orange and brown (London Road, 1975)

In 1974, Greater Manchester County was created from south-east Lancashire and north east Cheshire. Thus the city of Manchester lost power over its police force and fire services. With the creation of the North West Water Authority it also lost its management of water and sewage services. Even the airport was taken out of Manchester’s hands to be shared by the new Greater Manchester authority.

These seemed like logical steps at the time, rationalising multifarious authorities under single control. In hindsight, much of the well-intentioned measures diminished the big cities and emphasised the capital’s brutal dominance. 

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The airport was taken out of Manchester’s hands

Meanwhile, the Arndale Centre arrived, a fat jaundice-coloured mother hen squatting upon a network of fascinating, if at that time rundown, streets. As The Guardian commented at the time, the building was so aggressive it was hard to know whether to ‘shop in it or lay siege to it’. 

Today those little streets might have been a fascinating array of small businesses and bars, another Northern Quarter, while Oldham Street, instead of being effectively closed down by the Arndale for twenty five years, might have remained a key retail street. Who knows?

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View along Market Street during construction of the Arndale Centre

It was during the 70s that the M62 motorway was completed, but also when Manchester Ship Canal began a steep decline at its headwaters in Salford and Trafford as container traffic began to make it unviable. 

Slum clearance was declared over, only for the buildings which had replaced the slums to start rapidly crumbling in turn. Hulme Crescents, constructed in 1972, was the largest public housing development in Europe, and probably its worst.

The slum clearances officially being over didn’t stop needless demolition of classic Manchester buildings, such as the opulent Oxford pub (pictured below) opposite the Palace Theatre, which became a car park until the early 2000s. 

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The opulent Oxford Pub was demolished and later became a car park

Manchester United, meanwhile, dropped from being European Champions into the old 2nd Division (now the Championship) for a season. City drifted unspectacularly.

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Georgie  Best and fiancée Eva outside his boutique ~  George Best EDWARDIA

Music offered distraction. 

The club scene in Manchester in the early 70s was dominated by places such as Rotters, Fagins, Stringfellows, Placemate 7s, and (for those of a little more Bohemian character) Pips, under the Corn Exchange. Manchester bands and acts such as 10cc, ELkie Brooks, Sweet Sensation and Sad Cafe hit the charts, while ex-pat Manc boys The Bee Gees boosted chest hair, big hair, medallions and discooooooooo. Northern Soul became an established phenomenon.

But something else was bubbling under, and in a dark, smoke-blackened, declining city a new idea of music was forming with a whole scene and its own magazine, New Manchester Review. In 1976, the Buzzcocks hosted the Sex Pistols in the Lesser Free Trade Hall – the legendary year zero for a significant musical movement. Two years later, the mercurial but brilliant Tony Wilson started Factory Records with Alan Erasmus. The band Joy Division, signed to Factory, became the totemic Manchester sound of the time.

Vintage Flyer for The Buzzcocks gig at Rafters 1977
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A campaign began to save Liverpool Road Depot – the oldest passenger railway station in the world

Along with the growth of the music scene there was the beginnings of a turn around in the appreciation of the significant role Manchester had played in the creation of the modern world. 

When British Rail announced the closure of the Liverpool Road Depot, a campaign began to save the oldest passenger railway station in the world, part of the Liverpool and Manchester Railway from 1830. This would, in the 80s, form the site for the Museum of Science and Industry. Castlefield began to be generally recognised as a place of immense industrial and historical importance.

In 1979, Margaret Thatcher became the nation’s polarising Conservative Prime Minister, and as the 70s, the decade of confusion, came to an end, the nation and the city were set for the 80s, and another period of uncertainty, retrenchment, creativity and evolution.

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The elevated section of the Mancunian Way, crossing Oxford Road. Taken from the Cavendish School at All Saints, c. 1970.
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Peter House on Oxford Street/St Peter’s Square in 1972
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View from Hulme Walk footbridge looking south along Princess Road, 1972
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View across Oxford Road at All Saints, looking east from the Chatham Building, November 1970.
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Advertisement by a Graphic Design student displayed in the degree show at Manchester Polytechnic’s Faculty of Art and Design in 1978.

One thought on “1970s. ManChester.

  1. I saw Björk performing the first and last show of the excellent première of Biophilia – from my team – in 2011 at The Museum of Science and Industry for the Manchester International Festival. It was the perfect venue for her to use experimental instruments specifically designed for her museum-based tour. At first I was disappointed that her backing group of female singers were amateur singers selected for that event on the cheap. But as Björk’s set warmed up,with her mature warbles and lower tones due to operations to remove throat cysts, her all-female choir sprang to life and totally captivated the audience by their energy and grace.
    I sat on a dumper bin, to get a higher view above the crowd and barriers, almost next to her Argentinian drummer so I could observe his style up close. Björk noticed and sang at me. I was dressed in white – Moroccan cotton leggings and a baggy tailored white linen shirt because it was scorching outside but cooler inside the Science Museum.
    I can’t remember what she sang. Was it HyperBallad, a song I knew well. But I grinned and gurned through the moment both enchanted and curiously moved by her witchiness.
    Both great gigs, crowd, atmosphere, ensemble performances. All on song.

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